#bathroom #interior #light (at 4748 Overwood Cir.)
Mom salvaged a c.1997 Polaroid OneStep Express Camera for me that my cousin was going to throw out. I’m now sporting an exposure slider and a focusing distance of 2 feet along with the standard 4 feet. Testing it out with #theimpossibleproject Black and White Silver Frame film today. 😍 (at Vanlandingham Household)
Flomaton on a summer evening #alabama #rurallandscape (at Vanlandingham Household)
Anonymous asked: What do you have against humans of New York
i find the assertion that human beings live in new york to be distasteful
- If a god exists it wouldn’t be a complete asshole
- It’s April and it’s 28 degrees outside
- There is no god
by Fabrice Fouillet | Via
Statues are often idealized works of art. They are ideological, political or religious representations and attempt to turn their subjects into fascinating, eternal figures. Even when erected to keep alive the memory of a single person, a statue that lasts many generations will eventually establish itself as a symbol for the community.
Statues are even more influential when they are monumental. An edifice can be said to be monumental when it is unusual, extraordinary and physically imposing. It has to be abnormal — as exceptional as the political or religious power itself — and also inseparable from its symbolic aspects.
The series “Colosses” is a study of the landscapes that embrace monumental commemorative statues.
Johannes Barbieri, Wetterhose in Zug (Whirlwind in a Gust), (1905)